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Plato Profile Directory 20
Page 03
The graphic art of the Apache finds expression chiefly in ceremonial paintings on deerskin, and in basketry. Only rarely have they made pottery, their roving life requiring utensils of greater stability. Such earthenware as they did make was practically the same as that of the Navaho, mostly in the form of small cooking vessels. Usually the pictures are painted on the entire deerskin, but sometimes the skin is cut square, and at others ceremonial deerskin shirts are symbolically painted. Occasionally the Apache attempts to picture the myth characters literally; at other times only a symbolic representation of the character is made. In addition to the mythic personages, certain symbols are employed to represent the incident of the myth. These paintings are made under the instruction of a medicine-man and are a part of the medicine paraphernalia. On some skins the most sacred characters in Apache mythology are represented symbolically--Naye{~COMBINING BREVE~}nezgani, the War God; Tubadzischi{~COMBINING BREVE~}ni, his younger brother; Kuterastan, the Creator of All; Stenatlihan, the chief goddess. In fact the symbolism on an elaborately painted deerskin may cover every phase of Apache cosmology.
Sylla was now in the possession of absolute power. He was master of Rome, and of all the countries over which Rome held sway. Still he was nominally not a magistrate, but only a general returning victoriously from his Asiatic campaign, and putting to death, somewhat irregularly, it is true, by a sort of martial law persons whom he found, as he said, disturbing the public peace. After having thus effectually disposed of the power of his enemies, he laid aside, ostensibly, the government of the sword, and submitted himself and his future measures to the control of law. He placed himself ostensibly at the disposition of the city. They chose him dictator, which was investing him with absolute and unlimited power. He remained on this, the highest pinnacle of worldly ambition, a short time, and then resigned his power, and devoted the remainder of his days to literary pursuits and pleasures. Monster as he was in the cruelties which he inflicted upon his political foes, he was intellectually of a refined and cultivated mind, and felt an ardent interest in the promotion of literature and the arts.
When the news of this disaster reached Rome the Senate refused to ratify the peace, and resolved that the two Consuls and all the officers who had sworn to the peace should be delivered up to the Samnites as persons who had deceived them. They were conducted to Caudium by a Fetialis; and when they appeared before the tribunal of C. Pontius, Postumius, with superstitious folly, struck the Fetialis with his foot, saying that he was now a Samnite citizen, and that war might be renewed with justice by the Romans, since a Samnite had insulted the sacred envoy of the Roman people. But Pontius refused to accept the persons who were thus offered, and told them, if they wished to nullify the treaty, to send back the army to the Caudine Forks. Thus Postumius and his companions returned to Rome, and the 600 knights were alone left in the hands of the Samnites.
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