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Plato Profile Directory 20
Page 02
Five bells were hung at regular intervals on a round hoop erected on a sort of stage. A rope was attached to each bell after the manner of church bells. At a given signal from their master, they all sprang to their feet, and at a second signal, each advanced to the ropes, and standing on their hind feet, stuck their front claws firmly into the ropes, which were in that part covered with worsted, or something of the kind, so as to give the claws a firmer hold. There was a moment's pause--then No. 1 pulled his or her rope, and so sounded the largest bell; No. 2 followed, then No. 3, and so on, till a regular peal was rung with almost as much precision and spirit as though it were human hands instead of cats' claws that effected it.
Concerning the means of procuring unity; men must beware, that in the procuring, or reuniting, of religious unity, they do not dissolve and deface the laws of charity, and of human society. There be two swords amongst Christians, the spiritual and temporal; and both have their due office and place, in the maintenance of religion. But we may not take up the third sword, which is Mahomet's sword, or like unto it; that is, to propagate religion by wars, or by sanguinary persecutions to force consciences; except it be in cases of overt scandal, blasphemy, or intermixture of practice against the state; much less to nourish seditions; to authorize conspiracies and rebellions; to put the sword into the people's hands; and the like; tending to the subversion of all government, which is the ordinance of God. For this is but to dash the first table against the second; and so to consider men as Christians, as we forget that they are men. Lucretius the poet, when he beheld the act of Agamemnon, that could endure the sacrificing of his own daughter, exclaimed: Tantum Religio potuit suadere malorum.
This leads us to a consideration that I have delayed till now. The black image is the central feature of Oropa; it is the raison d'etre of the whole place, and all else is a mere incrustation, so to speak, around it. According to this image, then, which was carved by St. Luke himself, and than which nothing can be better authenticated, both the Madonna and the infant Christ were as black as anything can be conceived. It is not likely that they were as black as they have been painted; no one yet ever was so black as that; yet, even allowing for some exaggeration on St. Luke's part, they must have been exceedingly black if the portrait is to be accepted; and uncompromisingly black they accordingly are on most of the wayside chapels for many a mile around Oropa. Yet in the chapels we have been hitherto considering--works in which, as we know, the most punctilious regard has been shown to accuracy--both the Virgin and Christ are uncompromisingly white. As in the shops under the Colonnade where devotional knick-knacks are sold, you can buy a black china image or a white one, whichever you like; so with the pictures--the black and white are placed side by side--pagando il danaro si puo scegliere. It rests not with history or with the Church to say whether the Madonna and Child were black or white, but you may settle it for yourself, whichever way you please, or rather you are required, with the acquiescence of the Church, to hold that they were both black and white at one and the same time.
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