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Plato Profile Directory 17
Page 07
And on January 5, 1066, King Edward, the son of Ethelred, died. On the morning of the day following his death, the body of the Confessor was laid in the tomb, in his new church; and on the same day--HAROLD WAS CROWNED KING in his stead. Thus three very important events--the consecration of Westminster Abbey, the death of Edward the Confessor, and the crowning of Harold--all occurred during the same Christmas festival.
Painting in Flanders starts abruptly with the fifteenth century. What there was before that time more than miniatures and illuminations is not known. Time and the Iconoclasts have left no remains of consequence. Flemish art for us begins with Hubert van Eyck (?-1426) and his younger brother Jan van Eyck (?-1440). The elder brother is supposed to have been the better painter, because the most celebrated work of the brothers--the St. Bavon altar-piece, parts of which are in Ghent, Brussels, and Berlin--bears the inscription that Hubert began it and Jan finished it. Hubert was no doubt an excellent painter, but his pictures are few and there is much discussion whether he or Jan painted them. For historical purposes Flemish art was begun, and almost completed, by Jan van Eyck. He had all the attributes of the early men, and was one of the most perfect of Flemish painters. He painted real forms and real life, gave them a setting in true perspective and light, and put in background landscapes with a truthful if minute regard for the facts. His figures in action had some awkwardness, they were small of head, slim of body, and sometimes stumbled; but his modelling of faces, his rendering of textures in cloth, metal, stone, and the like, his delicate yet firm _facture_ were all rather remarkable for his time. None of this early Flemish art has the grandeur of Italian composition, but in realistic detail, in landscape, architecture, figure, and dress, in pathos, sincerity, and sentiment it is unsurpassed by any fifteenth-century art.
The Censors possessed a general control over the conduct and morals of the citizens. In the exercise of this important power they were not guided by any rules of law, but simply by their own sense of duty. They punished acts of private as well as public immorality, and visited with their censure not only offenses against the laws, but every thing opposed to the old Roman character and habits, such as living in celibacy, extravagance, luxury, etc. They had the power of degrading every citizen to a lower rank, of expelling Senators from the Senate, of depriving the Equites of their horses, and of removing ordinary citizens from their tribes, and thus excluding them from all political rights.
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