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In landscape the English have had something to say peculiarly their own. It has not always been well said, the coloring is often hot, the brush-work brittle, the attention to detail inconsistent with the large view of nature, yet such as it is it shows the English point of view and is valuable on that account. Richard Wilson (1713-1782) was the first landscapist of importance, though he was not so English in view as some others to follow. In fact, Wilson was nurtured on Claude Lorrain and Joseph Vernet and instead of painting the realistic English landscape he painted the pseudo-Italian landscape. He began working in portraiture under the tutorship of Wright, and achieved some success in this department; but in 1749 he went to Italy and devoted himself wholly to landscapes. These were of the classic type and somewhat conventional. The composition was usually a dark foreground with trees or buildings to right and left, an opening in the middle distance leading into the background, and a broad expanse of sunset sky. In the foreground he usually introduced a few figures for romantic or classic association. Considerable elevation of theme and spirit marks most of his pictures. There was good workmanship about the skies and the light, and an attentive study of nature was shown throughout. His canvases did not meet with much success at the time they were painted. In more modern days Wilson has been ranked as the true founder of landscape in England, and one of the most sincere of English painters.

I spent a pleasant Christmas in Iquitos, all the English residents there showing me the greatest kindness. From Iquitos the river was no longer navigable for ocean-going steamers, and it was necessary to travel by small launches. There was no regular service, but there were a number of trading launches which went a certain distance up the river in order to trade with the different houses on the banks of the stream. The travelling was not particularly rapid, as one stopped ten or twenty times a day, and wasted endless time while the people came on board to buy beer or rum, or cotton goods, looking-glasses, etc., etc. Rubber and aigrettes, as well as money, were given in exchange for the goods received.

From what we have just learned of the animals and plants living in Europe during this age, we can frame some conception of the different climatic conditions of Europe. On the one hand, we have a country with a mild and genial climate. Trees of a warm latitude were then growing as far north as Paris, and we may well suppose Europe to have abounded in shady forests and grassy plains, through which flowed large rivers. It was just such a country as that in which elephants and southern animals would flourish, while vast herds of deer and bovine animals wandered over the entire length and breadth of the land. Where animal life was so abundant there were sure to be carnivorous animals also, and lions, hyenas, tigers, and other animals added to the variety of animal life.


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