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Plato Profile Directory 13
Page 02
There is little wonder, then, that we have known practically nothing of the Apache and their customs beyond the meagre record of what has been given us by a few army officers; consequently their study was entered into with especial interest. Although much time was expended and much patience consumed before the confidence of their elders was gained, the work was finally successful, as will be seen particularly by the creation legend and the accompanying mythologic picture-writing on deerskin, which give an insight into the mode of thought of this people and a comprehensive idea of the belief respecting their genesis. Not satisfied with the story as first related by the medicine-men lest error perchance should have crept in, it was repeated and verified by others until no doubt of its entire accuracy remained. It is especially fortunate that the chief investigations were made in the summer of 1906, when the new "messiah craze" was at its height, thus affording exceptional opportunity for observing an interesting wave of religious ecstasy sweep over this primitive folk.
Lucas Cranach (1472-1553) was a Franconian master, who settled in Saxony and was successively court-painter to three Electors and the leader of a small local school there. He, perhaps, studied under Gruenewald, but was so positive a character that he showed no strong school influence. His work was fantastic, odd in conception and execution, sometimes ludicrous, and always archaic-looking. His type was rather strained in proportions, not always well drawn, but graceful even when not truthful. This type was carried into all his works, and finally became a mannerism with him. In subject he was religious, mythological, romantic, pastoral, with a preference for the nude figure. In coloring he was at first golden, then brown, and finally cold and sombre. The lack of aerial perspective and shadow masses gave his work a queer look, and he was never much of a brushman. His pictures were typical of the time and country, and for that and for their strong individuality they are ranked among the most interesting paintings of the German school. Perhaps his most satisfactory works are his portraits. Lucas Cranach the Younger (1515-1586) was the best of the elder Cranach's pupils. Many of his pictures are attributed to his father. He followed the elder closely, but was a weaker man, with a smoother brush and a more rosy color. Though there were many pupils the school did not go beyond the Cranach family. It began with the father and died with the son.
On September 10th--that was the seventh day of our involuntary fast--we had another dreary march, again without a morsel of food. My men were so downhearted that I really thought they would not last much longer. Hunger was playing on them in a curious way. They said that they could hear voices all round them and people firing rifles. I could hear nothing at all. I well knew that their minds were beginning to go, and that it was a pure hallucination. Benedicto and Filippe, who originally were both atheists of an advanced type, had now become extremely religious, and were muttering fervent prayers all the time. They made a vow that if we escaped alive they would each give L5 sterling out of their pay to have a big mass celebrated in the first church they saw.
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